at a young age still influenced by u.s. hiphop stars such as n.w.a., public enemy or run dmc, the love to electronic music has also been growing over the years. sebastian phillip has since appeared in numerous prestigious clubs in the country and also at the berlin loveparade.

cumpa limited is a vinyl and digital chilean label company. it is born in 2013 under the motivation of a group of friends and lovers of electronic dance music for dance floor. our label constantly looks for an harmonic fusion of organic melodies and synthetic textures through voices and folk roots sounds, managing to deliver a spatial personality to our rhythms.
this label has a strong tendency for the rescue of our electronic sound culture, which has enabled us to enter in the sets of recognized djs and be identified worldwide as the chilestyle sound. cumpa limited requires to all producers to have a special personality in order to become a real cumpa (friend).

the third in a series of electronic / acid / techno 12s from the mighty clan destine

frigio is very honored to release the biggest and most important spanish electronic project of all times esplendor geometrico. from the early 80s until today, theyve been delivering the most authentic, raw and powerful industrial electronics you can hear francotirador which means sniper is a track recorded back in 1989 and this record includes original plus 3 remixes by sneaker (who previously did a remix for twilight ritual), juanpablo (head of frigio records) and spanish producer vinz vincenzo

darkside is the collaborative duo of guitarist/composer dave harrington and electronic producer nicolas jaar. darkside summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term progressive was coined. darksides first fulllength album-released on nicos own other people label in conjunction with matador records-is called psychic. darksides psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011s darkside ep. at any given moment, psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others’-sentences fluidity of kindred spirits, dave and nico synthesize it all into a living, breathing whole.

a very unique style... whim-ee, aka sara garcia is a french dj/producer. originally from recife, brazil she relocated to paris as a child where she began her journey into music via classical piano school for nine years. whim-ee later began experimenting with electronic music, injecting her own unique fusion of house, techno, jazz, funk, and soul.

the first release on the new bodytonic label is the debut ep by white collar boy. white collar boy are a two piece electronic-garage group from dublin. mark cummins (the ginger one) and gavin white (the-not-so-ginger one) met in barcelona where their shared passion for electronic composition (and knitting) inevitably led the pair to merge their creative endeavors. *suuu / tide* comes fresh with remixes from twisted pepper resident frank b (he of chain of fools fame) and simon bird.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

there is this very small but beloved festival called gratwanderung near the middle of nowhere in a stone quarry south to leipzig, germany. juno6 together with matthias speck were the choice of the festival organizers to create their very first split ep -gratwanderung musik 1. absoluteley brillant electronic stuff!

sims & degiorgio follow up the success of machine 01 with another showcase of blistering modern techno and uplifting electronic bliss. strike aims straight for peak-time with a driving, trademark sims rhythm that only he knows how to pull off. degiorgios remix keeps it tough but adds some subtle elements in keeping with his soulful approach to music-making. degiorgios own *guardian angel* is another in his series of uniquely harmonic techno tracks that has no equivalent in dance music. another major statement from the number one techno event around. machine.

following four releases in the bangers and ash 12 inch series, styles upon styles inaugurates the label proper with an ep from our friends and community cohorts, archie pelago. from their earliest digital releases on end fence and tectonic, through substantial 12 inches via mister saturday night, well rounded, and their recent self-released transmissions (sly gazabo ep and breezy whey), each body of work from the trio of hirshi, kroba and cosmo d contributes to a growing narrative in their catalogue of improvised, acoustic-electronic dance music. mastered and cut by matt colton at alchemy in london. pressed at mpo in france with artwork from calvin ho and sus sleeve design by tschiegg.

huntleys & palmers is a label and promotion outfit from glasgow, based in london. we believe in the timeless appeal of music, eschewing trends and opting to champion the great and exciting, the new and idiosyncratic. we join the dots between inspiring electronic legends and cutting edge emerging talent. join us

limited edition of 1000 numbered copies on high quality virgin vinyl, download code included.
brian leeds produces electronic music under the name huerco s. his debut album for software is titled colonial patterns. on colonial patterns, leeds treats his kansas city region as a universe worthy of its own electronic music. to that end, leeds deconstructs midwestern techno and house tropes. the pieces are corrugated, rough, and decompositional. working cheaply, leeds conscientiously uses low-end software, synths and cassettes so as to subvert the gloss of so much urban dance music, giving tracks an impressionistic, emotive feel. the result is uniquely midwestern: there is an expansiveness to each piece that suits the open space and the storied past of its inhabitants.

after the pre-take before the summer, wph brings you take 1 in its tribute to the biggest belgian electronic music heritage…new beat! four new killer cuts by a 100% wph family line up, also welcoming long-time friend aril brikha to the family.... this is part 2 of a 4 part vinyl set

10 inch vinyl with a screen printed sleeve!the enigmatic u returns to manmakemusic for another limited run 10inch of ethereal electronic excursions into the hinterlands of house. early support from: erol alkan, george fitzgerald

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

later on as dusky, the british duo of alfie granger-howell and nick harriman have asserted their position amongst the top producers working in electronic music right now after releases on anjunadeep, naked naked, aus, and its sister label simple.

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

finnish experimental electronic musician mika vainios first solo album for blast first sees him return to his classic power electronics/heavy beats approach that made pan sonic garner a worldwide reputation. the album developed from vainios recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry.

but that the cocoon compilation l is all about love, is beyond debate: the love for electronic dance music, for its complexity and its diversity, the love for this global musical language and last not least the enthusiasm for the well-known and the still non-famous protagonists of this tonal romance that faithfully accompanies us through night and day for more than 30 years now.

french kitchen is a label of electronic music and intelligent sounds recipes based in paris. it was born in 2012 by the chiefs hands of the music duo sucre sale and their cocobeach partys friends. how to cook - a fashionable sweet and salty techno recipe: take a good soft kick and simmer in a light reverb effect. melt a good motivating base and add it to the mixture. add the nappees, a few vocals freshly recorded and two returns. cover in breadcrumbs and let it cook as long as a rakia. taste!
after a great compilation (fk0001), this first ep is prepared us by chiefs like nicone & philip bader, marcelo cura, andri and homes duo sucre sale!
already positive feedbacks from marco carola, tini, m.a.n.d.y, adriatique, uglh, f.e.x, ...

gutts are a jaded wrestling double act that were much celebrated in the golden era of uk wrestling in the 1980s. after a slow-decline into inactivity and relative obesity they decided to make a comeback in 2013 as an electronic music band called gutts. both neil landstrumm and alan hostage have recently reached peak-fitness through circuit training and eating salad for dinner, toning up for this new heavy-hitting vinyl release on glasgows horror boogie. both were last seen, exiting landstrumms analogue graveyard shouting *not the ears, not the ears* and *i demand to be treated like a sultan*. no further details were available at this time.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

for those of you who dont already know, plaster is an electronic music project born in rome in 2008 and comprised of gianclaudio hashem moniri and giuseppe carlini, best known for their works on german label stroboscopic artefacts, berlin-based unoiki and ukraine-based label kvitnu...
now the italian duo find themselves in london, joining forces with touchin bass to weave together a damn fine four track ep which aims to mix a combination of styles from downtempo, dark, brooding beats to more compelling rhythms which have the capacity to make you dance... plasters sound is impressively textured with rich eclectic tones. it is simple but effective, showing different emotions, tempos and styles.
look no further... this ep will draw you in, chew you up and spit you out, but you will be all the better for it.

endless welcomes paolo tocci and russian techno dj andrey pushkarev, who is very popular with his audiences for his deep sound and signature sensitive melodic techno, in addition to his use of vinyl records from his extensive collection which he has been expanding for over 10 years. his recent ep on circus company captured the attention of many and in particular of luca bacchetti who then included him on the tracklisting of the recent arkitekt 02. paolo tocci, talented italian dj from catanzaro, has been responsible for many parties in calabria, one of the most beautiful regions in the south of italy. now living in switzerland, he produces electronic music surrounded by the natural beauty and suggestive landscapes of canton ticino. endless 004 has a romantic feel to it and features these 2 deep house gems to celebrate the end of summer.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

long awaited album, imaginary soundscapes, from jamal moss brings nine breathtaking compositions of raw electronic goodness that only he can concoct. from soft atmospheric sound environments to banging warehouse beat tracks, this is pure sonic bliss. tip!

morphine label boss, morphosis, presents the music of electronic composer, charles cohen, kicking things of with these two deadly interpretations of dance of the spirit catchers. masterful and essential! tip!

limited repress edition >br> metallic sequences, hypnotic pulsations, groovy rythms and deep raw chords. innerspace halflife delivers with this three tracks ep an autenthic piece of chicagos finest electronic music

stephan schindler aka kryptic universe aka lockertmatik is a german electronic music producer with a preference for analogue gear. he has a distinct 90s techno and house sound signature without sounding dated or overnostalgic. after making waves on his own (vinyl only) lockertmatik imprint, he got full recognicition through his ep on shtum (uncanny valleys sublabel).
thank something for the interweb, otherwise we might have never been able to get in touch with this obscure talent. we are proud to introduce him in our roster with this fantastic ep, showcasing all of the above mentioned. midnight michigans detroit inspired machine funk, woodbridge st. tearjerking acid bassline & strings and, last but not least, the ridermans fierce analogue bassline and fearless drum programming brighten the catalogue of wolfskuil ltd in many, beautiful ways.

jono mccleery veröffentlichte bereits 2011 auf dem cinematic orchestra label motion audio ein wunderschönes album zwischen neo-folk, singer/songwriter, electronic und soul. there i glänzte voll simpler schönheit und beinhaltete illustre gäste wie fink und folk-legende vashti bunyan. nach der im mai erschienenen single fire in my hands gibt es mit ballade nun ein wunderschönes follow-up, und mit dem djrum remix befindet sich noch ein großartiger clubkompatibler deep house mix auf vorliegender 10inch, der sich bereits in den playlists von mary-anne hobbs, laurent garnier und machinedrum befindet!

a label dedicated to the freedoms of expression, the delicacies held above genre stereotypes, and the overall pursuit of unorthodoxy. we are a collection of artists, neither here nor there, visionaries who believe in the subtle variations that are frequently overlooked in todays cluttered electronic spectrum. we are devoted to the imperfections of contemporary dance music, the 4/4 pulsations of a universal language, an unconventional mindset, and, of most significance, the nuanced bedroom producer secluded from contemporary disorde

after a bit of a hiatus, roots unit return with some deep house hybrids from their bulging vaults. learn to love is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 lone swordsman keith tenniswood and will be familiar to those who tune into tim sweeneys beats in space show on the regular. morning sequence is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. this latter track is mutated into a heavy floor filler by mark e in full on peak time mode.

only vinyl 200 copies ltd! snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

inspired by the infinitely numbered harmonies transmitted by vista, a benevolent being from a distant dimension, iasos broke ground for a new age of electronic sound manipulation.

astropolis following the spirit that has made it the oldest and finest french electronic music event, by keeping on its watchword: pleasure. it is to nouméa, cut off from the outside world and phare away of the electronic sphere that let us fight ep took shape. three track spread on 2 records delivering a plural techno, mixing masterfull and powerful groove. ep enclosed by electric rescue, with a better days devastating version reminding sound from ur. all tracks are mixed by stephane scan x.
supported by: agoria, fabrice lig, magda, marco carola, slam, get abril, rone, john digweed, deetron, sebastien léger, nicole mudaber, kolombo, paco osuna, hermanez, dubfire, gregor tresher ...

astropolis following the spirit that has made it the oldest and finest french electronic music event, by keeping on its watchword: pleasure. it is to nouméa, cut off from the outside world and phare away of the electronic sphere that let us fight ep took shape. three track spread on 2 records delivering a plural techno, mixing masterfull and powerful groove. ep enclosed by electric rescue, with a better days devastating version reminding sound from ur. all tracks are mixed by stephane scan x.
supported by: agoria, fabrice lig, magda, marco carola, slam, get abril, rone, john digweed, deetron, sebastien léger, nicole mudaber, kolombo, paco osuna, hermanez, dubfire, gregor tresher ...

with over a dozen years in music under his belt and a lengthy discography that includes eight full-length albums and numerous eps and remixes, deepchild is a producer who needs no introduction. from australia before it was a destination of note on the electronic circuit, his early music experimented with dub, broken beat, and other ideas. after moving to berlin to be closer to the pulse, his sound has shifted towards house, but audible echoes of the earlier influences remain. caduceus records happily offers him our latest release, with two contrasting original efforts accompanied by remixes from mrsk and lad

jessy lanza s debut album *pull my hair back*, co-written and co-produced with jeremy greenspan from junior boys, is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. it is graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. jessys voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. jessy lanza has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. transecting r&b, house, disco and 80s studio rock, the production is immaculate, reminiscent of early junior boys, treading that fine line between cold futurism and the r&b that jessy and jeremy are infatuated with.

dj w!lds history in music dates back to the tail end of the 80s where his young and fascinated mind embraced the explosion of graffiti culture, disco, funk and hip-hop in his hometown of dijon. later as the infectious sounds of detroit techno and chicago house filtered through to europe, and laurent garnier exposed them to paris, w lds interest was peaked and a move to the capital was made. hes now at the forefront of electronic music culture, djing at some of the worlds leading nightclubs and boasting releases on off, robsoul and adult only, as well as running his own catwash and the w label imprints.

fast-rising rebel queen francesca lombardo is back on crosstown with her seductive new single ‘what to do featuring remixes from infinity ink, matrixxman and a luca cazal dub. showcasing francescas undeniable raw talent and pure, fluid vocal flair, what to do is another example of the producers sublime song composition in an electronic framework. the sultry mood evoked by francescas voice wraps around the infectious melody as spooky ethereal tones rise and fall with the subtly driving groove. infinity ink strip down the elements with mechanical precision, injecting some darker bass and a more solid kick. matrixxman revels in the twilight zone and delivers an alternative trippy tapestry of jagged synth stabs and melodic bleeps with only waves of the vocal. luca cazals dub is a perfect late night builder with added sonic textures

diametric. is pleased to welcome imugem orihasam to the rooster of artists. having released for labels such as sistrum, statik entertainment and nsyde amongst others, the japanese producer has built a strong reputation amongst lovers for fine, well thought out and interesting electronic music, ranging from house to techno. his first release for diametric. adds another facet to his portfolio as these three tracks are harsh industrial-infused dark and funky techno cuts, with an experimental edge.for this release detroit based producer and member of aux 88 keith tucker aka optic nerve has blessed us with a remix and delivered a stunning funky dj friendly remix of grain. deep futuristic melodic detroit techno. 300 hand-numbered limited vinyl copies only. no digital distribution.

a brand new label split between stockholm and york, homes of the two artists on this first release. despite the label name, this is far from being the final chapter, simply the beginning of a new collaboration to push raw club tracks and machine tones inspired by chicago house and detroit techno. full force, full quality electronic music, plain and simple.

berlin label bright sounds debuts with 12inch release from brighton-based dj & producer myles serge, a self-described reclusive perfectionist, whose haunting production sound reflects influences from early detroit & chicago electronic music. the inside the box ep collects three stripped down & floor-ready techno cuts:building blocks continues the detroit tradition of doing a lot with a little, piecing together a groove of subtle intensity by small increment

what a year for lake people so far. apart from several excellent releases and remixes, like his outstanding interpretation for chymeras classic >caprica burning<, the leipzig-based act is busy playing gigs around the globe. earlier this year, he had his first south-america tour, north america is following this summer. his lowkey and touching live-performances obviously work excellently. we are now more than happy to present the next lake people ep. four tracks, no remixes and each of them a pearl on its own. >into< goes a bit in the direction of his hit >point in time< on krakatau, while >stepwise< and >come over later< reminds of the timeless electronic approach of acid jesus or soylent green releases on klang elektonik

back in april, phantasy unveiled future four, the exciting new alter ego of andy meecham: the brains and brawn, behind the emperor machine, bizarre inc and chicken lips. the debut ep release was titled this is the sound of future four, a trio of tracks that paid homage to the raw, unfiltered and brazen warehouse sounds of the early 90s, brilliantly harnessing the hedonistic spirit of electronic music of the early 1990s

napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

the la based artist kauf has been honing his own dark twist on modern electronic music since 2011, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony avant-pop earning comparisons with the likes of caribou, matthew dear and toro y moi.
the as much again ep is kaufs most substantial release to date and (much like the artwork) paints a dark, but distinctive picture of the man himself, as a unique and undeniable talent.

another superbly crafted ep released on the organic-music imprint features tom ellis three original tracks and a brilliant remix by leif. neither of the producers featuring on the release need any introductions as they are very well known names around the underground dance music scene for quite some time now. the ep has a very eclectic feel to it that can satisfy todays very demanding musical palates. deep. funky, bass driven, cross-over between live and electronic soundscapes, one can hear all of that in this little gem of a record.